Some months the CCM is up for a particular piece, other times for a particular performance. Sometimes, like this month, it's for both. Gershwin's Concerto in F is one of the best concertos of the 20th century. Not bad considering he almost literally went out and read up on the subject "How to Write a Concerto." From the first movement's explosive opening timpani salvo, through the sultry, jazzy trumpet solo and strumming strings of the second movement, to the exhilarating finale (which brings back elements of the earlier movements), the work will keep you on the edge of your seat throughout. It's also a work that highlights Gershwin's orchestration skills; who needs Grofé anyway?!

This famous recording with Arthur Fiedler, Earl Wild, and the Boston Pops orchestra has never been beat. Listen to this month's clip -- from the piano's entry in the second movement -- and see if you agree that every detail is perfectly executed, from the leisurely tempo and the clean articulation to the slight (intentional) stammering on the second entrance. The recordings of the other pieces, incidentally, are also laudable. And, as an extra bonus, note that this month's clip is not only available on CD, but at a bargain-basement price, too.

One tiny note of caution: because of the high regard for fidelity and the age and condition of the master tapes, there is a bit of popping on the recording.